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  • Reviews: "Vonnegut, USA"
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  • Whoa That's Old!
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    • Keith Blaney
    • Demo Reels
    • Headshots
    • Resume
    • On The Set...
    • Storytelling
    • Bio
    • Social
    • Reviews: "Vonnegut, USA"
    • 2 More Reviews
    • Whoa That's Old!
  • Keith Blaney
  • Demo Reels
  • Headshots
  • Resume
  • On The Set...
  • Storytelling
  • Bio
  • Social
  • Reviews: "Vonnegut, USA"
  • 2 More Reviews
  • Whoa That's Old!

reviews: "Vonnegut, USA"

http://lapostexaminer.com/vonnegut-usa-makes-hilarious-debut-atwater-village-theatre/2016/10/18


“One stand out performance comes from Keith Blaney who nails it as a cigar-smoking aficionado of “girlie” magazines.”

Ron Irwin. Los Angeles Post-Examiner.


http://www.laweekly.com/arts/more-proof-that-kurt-vonnegut-is-one-of-the-best-cultural-commentators-of-our-time-7512297


““Hundred-Dollar Kisses” is the evening’s most polished and hilariously realized segment. It opens with Pelk interrogating mild-mannered records manager Henry George Lovell Jr. (Paul Plunkett), who haltingly describes his apparently unprovoked assault against [Vern Petrie (the amazing Keith Blaney), a corpulent and louche {FFF} executive with an unhealthy fixation on men’s magazines] and the centerfold model Patty Lee Minot (Marjorie LeWit).”

Bill Raden. LA Weekly.


http://www.discoverhollywood.com/Discover-Hollywood-Blog/2016/October/Vonnegut-USA-Theatre-Review.aspx


“A notable exception is Keith Blaney, doing double duty as a monstrous, perverted FFF employee and as a beleaguered small-town husband. Blaney has the strongest grasp on the material, showing how even Vonnegut's most offbeat creations are recognizably human.”

Joshua Kahn. discoverhollywood.com


http://stageraw.com/2016/10/27/vonnegut-usa-theater-review/


“A reason this particular narrative works so well has to do with the well-grounded performances of Plunkett as the owlish Henry and Blaney as the wild-eyed, red-faced Vern, panting and drooling over his cherished nudes.”

Deborah Klugman. stageraw.com

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